Set Black, Black Gamma, and Low Key SAT all to 0.Īnd you’re done! Just import the below LUT into your monitor for a preview or apply it afterward to your footage in your NLE as a starting base.This option was introduced with a software update and it gave operators the ability to change white balance while in S-Log mode (yeah, the OG S-Log setting back in the main menus disables white balance - you’re stuck with 3200k or 5600k). Go into Gamma and set Level to 0 and Select to S-Log.Make sure Offset White numbers for A, B, and ATW are 0, 0, 0. This base LUT is designed for DITs and DPs who want to create their own LUT or look development for each project. It offers a low-contrast starting point and has the S-curve built into it. Go into White and set Preset White to 3200. The Lo Con Base LUT is a low-contrast base LUT that's intended to be modified and graded.Set Multi Matrix to Off (it will be greyed out if Matrix is set to off).When PP opens, pick SET, and do the below steps. If nothing happens when you press it, the setting is likely disabled because you put the camera into S Log mode from the Video Settings menu (step 3 above). Now press the Picture Profile button on the back of the camera just below the HD SDI output. You might be saying “but that’s not S Log, that’s Rec709” at this point, but stay tuned. Sony has stepped up their game with their new cameras. Navigate down to Dual-Link & Gamma Select. This LUT is meant to pull out the most out of your SLOG3 footage, all while keeping it natural and neutral.Set 23.98P Output to 23.98PsF (if it isn’t already).Set SDI/HDMI/i.LINK I/O Select to HD SDI.To start, head to Video Settings in the menu. Here’s what I did to the settings to get the cleanest image out of the camera. The F3 produces a gorgeous image, but the default settings are not great. Sony A7s2 - 5 Cinematic Lut Pack (slog3) 4,99 Buy now. First, download S-Log2 LUTs from the Sony website and save them in the LUT folder, because DaVinci Resolve 12.5 only includes S-Log3 LUTs. Sony Slog 2, Sony Slog 3, Panasonic V-Log, Panasonic Cine-D, GoPro Protune, DJI D-Log, Fujifilm F-Log, All Black Magic (Including BMPCC 4k), Alexa Log- C, RedLogFilm, RedLog. Hey, if you’re looking for the right settings to use on the F3 that you just bought and are also struggling to find a LUT to monitor with, you’ve landed in the right place. Types Digital Download, LUT Package Labels rec709, slog, slog2. Sphere LUT from 'Contemporary Tonal' Category. 2 min read Still frame from footage taken on the PMW-F3.
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